hypnotic groovin 4 tracker! leaving behind trendy peak-time sound, io delves deep into the depths of house music and takes to it like duck to water. firstly, jazz riffs and abundance of syncopation, draw attention to themselves and make the sound more >mature< and original. samples, without which it is difficult to imagine io are softer and deeper, rhythms are slowler. thanks to the creative production techniques, percussion grooves organically develop into melodies, this will most certainly please real music lovers. following a string of differently brilliant ep projects, io are finally releasing their debut album. the outlet for the album release is, a very well known to io fans, label mulen. without any exaggeration barefooter can be called a longplayer - album, as it consists of 14 tracks, 10 of which will be available in digital format and 4 only on vinyl.

straight back with the deepness! moralez, up and coming producer from russia, gets his first ep on gigolo. leaving everything unnecessary behind, moralez delivers stripped back, analogue house somewhere on a highway leading to the borders of techno!early support from locked groove, terranova, digiteria, my favorite robot, jacques renault and murphy jax amongst others.

cyber dance records return with a full-length double-vinyl album from manchesters kid machine (aka mark wilkinson) following a string of instantly sold-out eps for viewlexx, red laser and flight recorder. a long-time collaborator of world-famous italo disco dj flemming dalum, it is no surprise that many of the tracks have that hallmark space sound reminiscent of the likes of cyber people and koto, but mark stamps his own distinct identity on the genre by slowing down the bpms and incorporating many other influences throughout so that this is no retro affair but a distinctly fresh and modern take on the genre.

in october last year, kompakt presented until the end of time (kompakt 288 cd111), a new full-length from hiroshi watanabe aka kaito putting an end to a long and meagre period of time for fans of the veteran producer who saw his last proper release and that was the way (kompakt 208) three years ago. as with hiroshis earlier full-length offerings, we are truly excited to bring you a special beatless version of the new album called less time until the end that shines a different light on the original opus.
the vinyl lp comes with a cd-copy of the full album.

apartment kickstarts 2014 with a various artists compilation focusing on irish talent from all across the isle. following on from their collaboration as bande apartment in 2013, tr one and new jackson once again appear together on apartment. this time around new jackson remixes tr ones bruising techno beast >viceroy-9c< (the original of which appeared on the last apartment release, a split 12 with phantom planet outlaws), turning it into an emotive, acid-laced breakbeat gem. house duo slowburn, coming off a year that included appearances on lunar disko, appian sounds and grounded in humanity deliver the off-kilter and immersive >riders of the sea<. hints of the work of artists such as drexciya and kassem mosse are combined with their own unique stylings to create an intoxicating, tripped out journey to the deepest recesses of the dancefloor.the cyclist garnered huge praise last year with his >bones in motion< lp on leaving records/stones throw and apartment is excited to deliver his first original material since then. his individual brand of over-driven electronics – >tape throb< – combines distortion with the most delicate of inflections and >crax< surmises this approach perfectly, an uncommonly euphoric slice of wounded electronica. last but by no means least is the superior inferior. after his debut release on belfast’s one electronica label went so far as to be licensed by sven vath to his sound of the 14th season compilation, he returns with the throbbing, rapturous >a bit much confusion<. wave and electro influences carry this bass heavy number towards it’s crescendo of skyscraping synths and skewered monopoly madness.

limited vinyl edition with album cd! incl remixes by kollektiv turmstrasse, matthias meyer & patlac, dub taylor. the cosmic cowboys project was born in 2008 from the different styles of twoyoung venetian artists, nicola sansoni aka randomatique and kaled jabariaka kaledj. for >zero gravity love< their first album which will be released on musik gewinnt freunde, collaborations with talented musicians and singers from all over the world were made. it defines a mixture with their well-known emotional, groovy and new dub and electronic structures. the result is nothing that can be named into a specific genre but a mix of all their influences reshaped into the new sound of cosmic cowboys that they like to call >the version 2.0 of ourselves<. but there is more to it than that. if you still havent noticed yet we also have the 3 fabulous remixes with us, which fit best together with the album. dub taylor, matthias meyer & patlac and also kollektiv turmstrasse did their very best and created something new. >zero gravity love remixes< is the perfect match and absolutely ready for the dance floor. dubby, hypnotic, playful, moving, and last but not least, music made with much love. give it a listen now!!

legendary studio 1 re-release! >a series of very special minimal funky music based on very small and sneaky samples, danceable music but very much influenced by architecture and by the idea of taking minimal by the word and leaving out as much elements as possible to bring the maximum within the minimum.< – wolfgang voigt on the studio 1 series. with this re-release of two tracks from wolfgang voigts seminal studio 1 series, lisbons assemble music turns the spotlight back on to what amounts to the basic grammar of most contemporary underground house and techno. along with basic channel and the concept series, studio 1 has long been acknowledged as one of the forerunners of minimalist techno, though voigt is at pains to point out the >differences between their handwriting. rightly so, since neither mark & moritz nor hawtin prioritised the funk and fizz that jumps out of these two tracks >gelb< the determined younger brother to the more conventionally dubby (but no less groovy) >lila<. any producer who has spent long hours making minute adjustments to the interplay between the simplest of elements – kick, bass, snare, hats – should know they have been walking in voigts ever-so-well-placed footsteps. this re-release from assemble music serves as a reminder of where the music has come from

drei lange jahre sind vergangen seit kaitos letztem regulaeren release and that was the way (kompakt 208), zu lang fuer fans des altgedienten produzenten. nachdem die hungrige meute bereits mit der vorab-12inch behind my life (kompakt 284) angefixt wurde, präsentiert kompakt nun ein neues album mit dem titel until the end of time. das doppel-vinyl erscheint inklusive cd-version des albums.

this is the vinyl edition of tigerskins album >all those goodbyes< this special vinyl features 3 exclusive tracks that are not on the cd version of the album. the essence, out of breath and the king always stays the king are three club bangers that will destroy your floor.

major people is a new label from santiago salazar. the debut track *new beginnings* is more of a theme song for salazar as he introduces the major people label. modulating synthes can be heard throughout the track and the catchy bassline will warm any dance floor.
*technik* is a slice of sleek, contemplative techno that is far out on a late-night tip, leaving only a bouncing bassline and skipping tech-house beat to hold down the groove amongst the tune’s more ethereal sounds. on the remix, chicagos defend:r (ricardo mirandas alter-ego) takes apart the original to form a hybrid electro style remix laced with sub bass grooves and just the right amount of synths to take it to the next level.
this is the beginning of much more to come from major people.

copenhagen based horse on horse will release its first ep with the copenhagen native vladimir. vladimir is sucking us right back into those parisian house parties, we have all been dying to reenact. strong sample-based melodies, raw production and nostalgic vocals! no questions asked! we say: > m for mike<! horse on horse feels like a high tech missile from the future leaving the orbit of planet earth on its way to destroy a meteor to save human kind!

chicago rhythm boxes are melting with the fragile soundscapes of post-new-wave modernists.

2013 repress / release number 6 from our label brings us oscar muleros latest work, proof that the new sounds hes experimenting with do not constitute at all a departure from his command of the rawest side of the purest techno. horses, oscar muleros new ep, takes us back to the mulero that the majority of the public will recognise, to the overwhelming sound that has led him straight to the top over the past two decades. the record opens with like a wolf: broken drum beats, sharp hats, fm basses and dynamic white noise drones whose energy never falters throughout the track. horses, the second track, gives the record its name and offers intricate rhythm programming, dark atmospheres and acid sounds that, as a whole, create a mental and hypnotic feeling. the closing track is in a silent way, which runs along similar lines to the previous two, but with less bpms and with an obsessive sequence that mutates and develops throughout the track leaving the listener with a mills aftertaste, but with a berliner touch.

for them 21st release, dame-music is proud to present upcoming artist anaxander with the jonh red hawk project, including a remix by bloody mary and attan.

tresor residents krenzlin & 88uw give their debut on starkstrom and deliver this brilliant 4-tracker full of funky, acid-driven techno madness. special collectors edition on dark translucent, blue & black marbled vinyl!

1st pressing of 500 copies in limited embossed sleeve & 180g vinyl. the now legendary acid village demo sees the light of day pushes into the mysteries and darkness of night, looping crackless & melodies pop through an atmospheres of samples & strings, stetched out, deformed and leaving us asking who the creators are?

every now and then, a record comes along…this is one of those occasions. but...it is not any old record, it is a new one. specifically, the new 12inch single from sundown drive, brought to you by mind fair and rogue cat sounds. moving on from the body and soul that embodied their first trip, sd transcend you to the annals of deep clubland and melodically twist your heart strings with an early morning flutter and a tantric tension. the meandering-yet-purposeful piano finding its feet later in the proceedings this time, but rising to full effect, leaving only the dub to knock us sideways into a beautifully-simplistic dark alley of spring reverbs, synthesized prophecy and the voices in ya head telling you to give it up.

after his previous dancefloor corkers on lovemonk and kat records, casbah 73 returns to the fray with four more servings of deep & funky boogie-house.
casbah 73 has had a busy year, whether it is delivering intense detroit-influenced jams & twisted house originals or releasing some essential edits, stripping and rebuilding those disco & jazz bombs for dancefloor duties to great effect. his joints have been supported by names you can trust like gilles peterson, jazzanova, danny krivit or belle and sebastians chris geddes.

an unmissable 12 inch collection from legendary soul-jazz organist charles earland. first up we have the wonderful over and over. co-produced by organist earland and randy muller, the man behind brass construction and skyy, this nine-minute masterclass in jazz-funk greatness was as big on the uk all-dayer scene as it was at david mancusos loft and blows up any dancefloor today. over on the flip is steppers delight, the classic anthem let the music play. released in 1978, this superbly fast and furious jazz-funk workout blasted onto the disco and club scene leaving a lasting impact today. last, but not least, intergalactic love song brings the tempo right down with a great spacey sound which doesnt lose earlands unmistakeable signature keys and sleek jazz style. essential!

the lausanne based !organism label returns with another slab of full bore techno, this time supplied by denmarks soren aalberg and backed with a remix from luigi madonna

chasing voices breaks its short ceasefire and rearms for the 5th installment in the ongoing series of musical theses at the forefront of new york citys electronic scene. purging the emotional distance and ironic poise of an increasingly numb aesthetic culture, *awoken by tears* is the naked, stark and barren truth of a deeply sentient musical form. heartbroken and angry, this is the new techno militancy taking on the classic materials of creative drive: pain, loss, memory—those negative spaces of the human condition that lay waste to so many weak souls, leaving behind piles of dust and rubble in their path.

the real voyage of discovery consists not in seeking new landscapes but in having new eyes. marcel proust berlin-based producer aera has been travelling off the beaten path ever since he first went on the road with his aleph music label back in 2010. with only 5 releases he already laid out his very own musical topography in the borderlands in between house, uk bass and psychedelia. aera is now excited to present his debut album, offseason traveller. it is a personal notebook of his voyage of discovery to the vast landscapes of peru and bolivia, fleeing berlin in pursuit of new ideas, eyes and ears.

meet stabber, aka stafano tartaglini from laquila, italy. after doing nice work with luckybeard records, here stabber graces vinyl for the first time on halo cyan.
his huh! ep is tittilating yet terrifying, a collection of razor-sharp club tracks that bring the party as much as they terrorize it. title track huh! begins with a smattering of innocuous hi-hats and claves that quickly give way to a thick fog of giallo-style paranoia. voices grab your attention, leaving you to look over your shoulder before being overtaken by a wave of sinister, gleaming melodies riding twisty, mechanically precise breaks.

born and raised in the kalakuta republic and having witnessed music from the four corners of the world, the kalakuta soul system has put up its own and long overdue music label to reach out with inspiring gems they had held secret for a long time. bringing finely selected releases from the most respected producers and djs, the kalakuta soul system meticulously discusses the content of each and every tracklist leaving the headquarter of their kalakuta republic. the first release on kalakuta soul records comes from the elementary spine of the kalakuta soul system that goes under the name cuttlefish & asparagus, a vital combination of vinyl collectors and meticulous sound engineers that have worked for almost 20 years on inspiring cuts and rough jams. all tracks are produced with a single aluminum fork and a ceramic pasta dish.

it is the end of the world (again!) and laut & luise gladly welcomes a new artist to the family: on akumal ep - his first vinyl release - christopher schwarzwalder puts together four exploratory, driving and hypnotic tracks. after waking you from your slumber with >keep< (a1), >jakob< (a2) entices you to take a little ride into the sunset. on the flip side, >barely legal< (b1) easily brings you down into the night, while the hidden energy of >das ganze boot auf acid< (b2) will mesmerize you for the hours after the hours, leaving you in a place where time is of no interest.

benjamin brunns first full-length since songs from the beehive with move d, leaving aside his recent colour tracks which was a history of edm.

two fantastic disco edits: soirees string laden disco cover of diana ross - you keep me hangin on is on the a-side. originally it had some spotty vocals on it but they got edited out leaving a killer disco instrumental. b/w an extended edit of somethin bout you by millie jackson. comes in the new glenview die cut sleeve.

nice price deal !!! aÑa / henning baer / norman nodge / musk.... no one knows exactly how, or why it happened. we can only postulate. perhaps it was rogue hydrogen atoms causing havoc again, or a particularly voracious wave of em radiation hell bent on finding a good time. the point is, (in those days) such lude behavior was simply unacceptable: aÑa had become excited, too much so for the solar stiffs that swirled about her. and that system of hers—always buzzing around, refusing to share anything—it had to go. so both were exiled from that collision patch they called home, leaving aÑa and her system to wander the cosmos. some years passed. aÑa grew a little, but mostly she practiced her basswalk—not this girly swooshy thing with your hips, but a real bolshy bovver boot stomp. after a while she got pretty good at it, she wanted to show her friends. maybe theyd like to basswalk too. well, they couldnt get enough of it—but no one did it quite like aÑa. henning baers had a bit more groove to it and this whole new tweaky hat element. norman nodge kept his pretty punchy, but all that time spent in berghain had turned his basswalk into a bit of a skulk. as for musk, the boys inverted the whole thing of course—turned a disco trick, shifting the march down into more of a slinky house glide. aÑa liked them all so much—and it was time isolated system stopped being such a separatist—she decided to gather them all together to make basswalker part i. now you can basswalk too

bereits während der letzten drive-by truckers tour begann patterson hood am vorliegenden album zu arbeiten. ursprünglich hatte er geplant ein buch zu schreiben, dann stellte er aber schnell fest, dass die texte sehr an songformaten angelegt waren und sie sich nahtlos in seine musikalischen entwürfe einfügten. das album wurde in seiner heimatstadt athens/georgia aufgenommen, und er ließ sich dabei von fast der gesamten drive-by truckers crew musikalisch unterstützen. ein album für fans von wilco, neil young, alberta cross und natürlich drive-by truckers.
code für kostenfreien mp3-download des albums inklusive.

following on from a pair of extended players released in 2011 (passed me by / we stay together), andy stott returns to modern love with luxury problems, an 8 track album of new material recorded over the last 12 months. five of the tracks on the album feature the voice of alison skidmore, andys onetime piano teacher whom he hadnt seen since he was a teenager back in 1996. there was no grand gesture in mind, it just sort of happened – but after almost a year of studio work the result is really quite unlike anything you will have heard from him before.

4 tracks, taken from the cd album! in >shortcake strategy<, fairytale-like melodies are backed with thought provoking harmonies that pave the way for an explicitly visual experience. we have been introduced to a new face of the berlin-based producer. shortcake is a simple recipe. it doesnt take a lot of planning or much thought or attention when preparing it, and in the end, it will be light, fluffy, sweet, and perfectly satisfying. falko might say the same about his approach to the creation of >shortcake strategy<, yet the end product sees his most dynamic and emotional productions to date, leaving us with the feeling that this comes from a strategy that requires far more thought, and is far more complicated than that of a sugary dessert.

two of the uks most formidable names in techno step into the ring for a head to head on theory. stephen brown is a man who certainly needs no introduction, and his knack of channeling the best of detroit innovation and adding his own distinct flavours shows no sign of letting up. on >fuego< and >polar< brown takes us further into the jacking zone, his signature lush melodies driving up the rear until they envelope the tracks in a haze of deep and emotive vibrations, but never letting up on the tough rhythms. ben sims is drafted in to remix both tracks, leaving slicing shards of sound and roughing up the beat on his remix of >polar<, before delving into a hard-funk take of >fuego<. big business from two keepers of the true techno flame.

eddie flashin fowlkes has always fancied himself as the forgotten producer of the detroit militia, a point which he explicitly points to on the title of this new release for the detroit wax imprint. >unsung hero< is, interestingly enough, quite noticeably un-detroit sounding, rolling on a killer funky 2-step groove and breezy keys which would slot in nicely against the mellower end of uk garage. on the flip >we need more< takes a stripped approach to house with some strange and submerged vocals from don q and restrained organ stabs, leaving it to the steadfast, bongo-laden groove to do most of the work. unsung hero indeed!

manmakemusics fifth release, a 10 inch vinyl-only ep, comes from u, the newest addition to the imprints expanding roster. unlike the labels first four outings that were aimed squarely at the dance floor, this record is a stranger and more pensive affair featuring 4 raw cuts of genre defiant electronica. opener >eah< borrows from 80s chicago house but strips out some of the more familiar tropes leaving just a guttural and infectious rhythm. >evil spirits< is a stuttering mournful piece while >haunted< flips a faintly recognisable sample over a shuffling 4x4 beat. the ep is rounded off with >heaven<, the most optimistic of the 4 tracks, and described by the artist as a warped homage to an idealised golden era of british dance music.

downtown party network from lithuania have been behind some serious releases and remixes over the last few years. combining disco influences with a knack for crafting weighty and warm deep house of the highest order… for their iib debut they have produced a duo of dreamy, melodic and irresistable vocal house gems which stand tall in their own right. as ever, the iib team have drafted in some seriously heavyweight remixers. veteran uk producer richard norris aka the time & space machine has delivered a truly superb rework of >the returning<. bringing the live elements of the track to the fore and unleashing a dazzling eyes closed on the dancefloor moment, and a bit of a classic in our humble opinion! finally scandanavian disco legend prins thomas takes on the same track and transforms it into an epic, spacious mix, underpinned by a widescreen acid bass and relentless, building groove.

122 bpm is the story of how a father and his son changed chicagos dance music scene in the 1980s and went on to take the world by storm, leaving an impression that will last forever with just a couple of 12 inch releases the world would soon know as house music. nemiah mitchell jr. and vince lawrence couldnt have known what their contribution to house music would become. their story provides the missing chicago link between soul, disco, new wave and then house, between the radio and club djs and their audience, between the old generation and the new generation. this is the story of the first house records ever made - long before trax or dj international were even dreamt of. the compilation includes numerous unreleased tracks and beyond hard to find house tracks made in chicago in the early to late eighties from the catalogues of mitchbal records and chicago connection records

new analog response 12 inch vinyl output has been composed by the italian artist hydergine, a young guy clearly inspired by basic channel / maurizio dub techno sounds, and a wide range of influences in the house/techno/bass fields. after practicing in music production for years, he first released a 12 on the german label separate skills which rapidly sold out, leaving a strong mark in the dub-tech scene.
recently, the austrian label phlox showed another fine hydergine release on translucent blue 12 inch vinyl, matching the taste of big names like francois kevorkian, laurent garnier, brendon moeller, kirk degiorgio, anton zap, terry francis, roman fluegel, ethyl, slam, franklin de costa, john osborn and more.

the chant: galloping monster with a cheeky bounce thats made all the more mega with the vocal energy.plz dont squeeze: pressurised squashed sound snippets tousle across the beats leaving the synths to breathe and soar. let this untamed tune free to expand across the club systems – and what ever you do, plz dont squeeze.nebulae: dream away on this interstellar cloud of soft vocals and floating grooves that moves you progressively towards dance heaven.

with the first single release of beijing rock, paul brcic (paul brtschitsch) brings a driving yet emotional production into the world of electronic sounds. an unmistakable, pulsating beat reminiscent of detroit-techno, smooth percussion, and a catchy bass line make up the songs foundation, immediately casting a bewitching spell and leaving no room for detours. carefully arranged samples from the 40s mould the centrepiece of the club bangers and move in perfect harmony with the full synth and fx sounds. without a doubt, paul brcic sets off a multifaceted sound explosion with a first look at the album beijing rock, scheduled for release in autumn 2012, always keeping one eye on production-technical details and the other on organic sound. beijing rock immediately invades the senses from the first measure, taking you along a journey outside of the clubs of this world and catapulting you just as quickly back to the sweat-inducing, wild nights. absolutely magnificent - paul brcic in his purest form. the b-side acid & camambert clatters as if on rails through the fields of sound and sets off one adrenaline rush after another with its clear basslines and consistently rising networks of beats. exquisite superstructures and effect dramaturgy breathe life into acid & camambert with an unbelievable energy and nearly acidic characteristics.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

with the impact of his first debut ep on be as one still echoing on dance floors worldwide, sable sheep is back again with a bang. after the success of painting my fur the german has made sure to deliver again proper quality on the israeli label, with 3 tracks that in typical be as one style cross in-between house and techno. >her empathy<,>whool< and >cotton< showcase how sable sheeps vision is clearly focused on leaving a mark release by release.

being the hopeless romantics we are here at circus company, when we fall for an artist we tend to do it head over heels. you may have witnessed this in the past with some of our dearest protégés, from dave aju to nicolas jaar. now we are embarking on the same kind of whirlwind affair with franck roger, the glow only just retreating from our cheeks after he won our hearts with the i take you up ep. like a well-seasoned casanova, franck has found the perfect way to follow up that first date with an even deeper reflection of himself as an artist, leaving us flustered and quite simply stunned by his charm.

following last years acclaimed curse of soft rocks album, were invited to revisit said masterpiece from an alternative entry — a robust compilation of remixes. each track is wildly re-contextualized leaving us with a beautifully obtuse yet complimentary rendering. personnel employed vary in style and technique drastically, but such is the ethos of soft rocks, and furthermore the esp institute. at the end of the day, we implore you to shut up and listen. on this 12inch (the second of 3 surrounding the revenge of soft rocks remix album) esp mainstays cos/mes deliver a deep and sensual yet sinister take on little lights, and side b reveals an upbeat dubbed out version of wicker man by zurichs own lexx (running back, permanent vacation, leng) good lord this is quite a piece of wax!

special tracks have a special story behind them.and this one certainly does. after mario & vidis recorded a couple of tracks with ernesto for their debut album changed they invited him to perform in their home country. during his short stay in lithuania ernesto performed two times and both times closed his set with a track called care. it was kind of a mash-up - swedish singer & songwriter was using lyrics of his old song to sing over metro areas classic caught up to a big effect - leaving the packed dance floors to a sing along to lyrical hook of sisters and brothers, smokers and lovers, care for me every time. big fan of metro areas sound vidis offered him to do a reversion of this mash-up using caught up as a reference and inspiration. the vocals were re-recorded, new arrangement was done, and the song was tested in the clubs as well as live on stage. so here it is - another big tune from the three to sing and dance along

visioneers – hipology produced by marc mac (4hero) marc mac is one of a rare breed of producers who moves smoothly between different genres flitting between pseudonyms while leaving a trail of quintessential releases.

supported by:jamie jones, benoit&sergio, ellen allien, groove armada, maya jane coles, catz n dogz, ben westbeech, sinden, dop, till von sein, deetron, marcin czubala, t.williams and others your mamas friend is back again to tempt us with the forbidden fruit of sleazy beats and warm rounded baselines. to date its been a fully polish affair, with viadrina and chmara winter joining label boss marcin czubala in providing the goods. today its another debutant, but this time were leaving the labels homeland as we head to the uk to meet a star on the rise, resketch.ste burnetts diverse musical range in both his dj sets and productions,find him falling somewhere within the swampy bass realm of house, garage and disco. his own productions have been described as having a unique and infectious energy thats driven by a bouncing sub-bass. a perfect fit for your mamas friend wouldnt you say? the no district label chief delivers a trio of treats in the form of his bound in binary ep